BIBLIOGRAPHY
Thompson, Kay. 1955. Eloise. Ill. by Hilary Knight. New York:
Simon and Schuster. ISBN 067122350X
PLOT
Kay Thompson’s Eloise is the classic story of the
precocious six-year old Eloise who lives at the Plaza Hotel. Eloise’s sense of
fun and adventure cause her to skibble and skitter all over the hotel, getting
into and out of scrapes. Eloise
experiences very little adult supervision; this appeals to the six-year old in
each of us who longs to break free and break rules just as Eloise does on a
regular basis.
CRITICAL ANALYSIS
Eloise has
long been considered a classic in children’s literature. Through her writing,
Thompson portrays Eloise as a rambunctious, spirited, mischievous, and curious
six-year old who experiences the freedom of an absent mother. Eloise, as
portrayed, has a strong sense of self.
Thompson’s text is without
punctuation. By not using punctuation Thompson seems to capture the essence of
Eloise as she dashes from one mishap to another. However, the lack of
punctuation can make reading this story aloud somewhat of a challenge, as it is
difficult to find the cadence. This might be yet another way that Thompson tries
to depict just who Eloise is - just when you think you have figured something
out about this little girl, she shows another side to herself.
Hilary Knight’s drawings are
simple, yet profound. He accurately captures Eloise in all her moods. By using
a narrow color palette consisting of black, red, white, and shades thereof,
Knight focuses attention on Eloise and her surroundings; the busyness in the pictures
is all Eloise; she is not lost in a plethora of vibrant and overwhelming
colors.
While Eloise is a fun and
amusing character, the book does have shortcomings. At 65 pages long, Eloise is twice the length of a standard
picture book. More than a few pages have well over 100 words
on them, in small, cramped text. The average small child would have difficulty
in sitting and listening to such a lengthy story, or in reading it independently.
Another shortcoming of Eloise
is that the cultural references, both in the text and the graphics, would be
lost on most children. The concept of living in a high-end hotel is foreign to
children, as are many of the images connected with such a place. Eloise
imitates her English nanny’s accent, using words such as ‘rawther’ and
‘cawn’t’, which do not resonate with children. Both the Plaza and English nanny
fall into the realm of elitism, though Eloise’s precociousness overpowers these
issues.
PERSONAL RESPONSE
I am torn as to how I feel
about this book. It is not one that I particularly remember from my own
childhood, but Eloise is a character with whom I am long familiar. I like the
fun and spontaneity of Eloise, though at times, as I read the story, I thought,
“What a brat.” Mostly, I feel sorry for what is essentially
a motherless child.
a motherless child.
I read this book to my second
grade class. They thought it was really funny, and loved the interaction
between Eloise and her tutor. They had fun joining in as Eloise imitates the tutor. Unfortunately, they ‘rawther’ behaved like Eloise for the rest of
the day.
I think that kids get the
surface humor of a young child being mischievous, but probably not the deeper meanings of a child whose mother is absent, who spends
her days seeking attention; only to find the love she needs from her nanny.
REVIEW EXCERPT(S)
Top 100 picture books SLJ
2009
CONNECTIONS
ü Eloise could be grouped with other books about places in
which people live. For example:
· The Family
Under the Bridge by Garth Williams
and Natalie Savage Carlson
· The House I
Live In: at Home in America by
Isadore Seltzer
ü Arrange a study of books illustrated by Hilary Knight;
examine how his illustrations have changed over time. Look for similarities to
the Eloise books.
ü Read all the Eloise books and hold a movie festival of
Eloise movies.
ü Study other strong girl figures in children’s picture
books: Madeleine, Clementine, and Olivia, for example.
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